The Americans by Robert Frank

americans_2008.jpg

The Americans Photographs by Robert Frank. Introduction by Jack Kerouac.
Steidl, Gottingen, 2008.
180 pages, 83 tritone illustrations, 8¼x7¼”



One, or all three of these new versions should be in your collection. Another amazing Steidl reprint…clearly a classic! -PIP





On May 15, 1958, the first edition of Robert Frank’s The Americans was published in Paris. Les Américains was part of a series of books which presented foreign countries through words and pictures. It contained Frank’s 83 photographs in the same sequence as all subsequent editions, with the image on the right hand page juxtaposed with texts from American social and political history, gathered by Alain Bosquet. The following year in the first American edition, the French texts were removed and an introduction by Jack Kerouac was added. Over the subsequent 50 years, The Americans has been republished in many editions, in numerous languages, with a variety of cover designs and even in a range of sizes. It is the most famous photobook ever published, and it changed the face of the medium forever.

Robert Frank discussed with his publisher, Gerhard Steidl, the idea of producing a new version using modern scanning and the finest tritone printing. The starting point was to bring the original prints to Göttingen, Germany, where Steidl is based, from New York.

In July, 2007, Frank visited Göttingen. A new format for the book was worked out and new typography selected. A new cover was designed and Frank personally chose the book cloth, foil for embossing and the endpaper. Most significantly, in the process of working out the layout of the photographs on the page, Frank chose to reproduce un-cropped examples of the photographs when available. Two images were changed completely from the original 1958 and 1959 editions. Then, on a sunny day in July of 2007, the presses started rolling and Robert Frank personally supervised the printing of this latest edition of The Americans.



The Americans is available at Amazon








The Nature of Photographs by Stephen Shore - 2nd Printing

The Nature of Photographs. Text by Stephen Shore. Nature of shore
Phaidon, London, 2006.
136 pages, 60 black and white and 20 four-color illustrations, hardback, 8¼x9½”.


The Nature of Photographs is the essential primer of photography, not only for students but for anyone with an interest in the medium. This book grew out of a college course that Stephen Shore, one of the world’s most influential photographers, taught for many years. In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files.

This books serves as an indispensable tool for students, teachers and everyone who wants to take better pictures or learn to look at them in a more informed way. Its aim is not to explore photographic content – the subject of an image – but to describe the physical and formal attributes of a photographic print, the very elements that form the tools a photographer uses to define and interpret that content. By teaching us how to look at photographs and helping us to see the world the way the photographer may have seen it, Shore also teaches us a way of looking at the world around us.

The Nature of Photographs is a primary tool for critical analysis and the understanding of photography in general. As one of the photographers who established colour photography as a legitimate medium of artistic expression in the early 1970s and an influential and important teacher of both the theory and practice of photography, Stephen Shore is the ideal guide to the subject of ‘how’ to look at photographs. By putting himself in the shoes of the photographers, he imagines the concerns or approach to the subject or concept they may have had when they were taking the picture.

As well as a selection of Shore’s own work, The Nature of Photographs contains images from all eras of photography, from classic images by Walker Evans, Brassai and Eugène Atget to more contemporary work by Bernd and Hilla Becher, Cindy Sherman, Joel Sternfeld, Thomas Struth, Richard Prince and Andreas Gursky. It includes all genres, such as street photography, fine art photography and documentary photography, as well as images by unknown photographers, be they in the form of a snapshot from the early days of photography or an aerial photograph taken as part of a geographical survey. Together with his clear, intelligent and accessible text, Shore uses these works to demonstrate how the world in front of the camera is transformed into a photograph.

“This book explores ways of understanding the nature of photographs; that is, how photographs function; and not only the most elegant or graceful photographs, but all photographs made with a camera and printed directly from the negative or a digital file. All photographic prints have qualities in common. These qualities determine how the world in front of the camera is transformed into a photographs; they also form the visual grammar that elucidates the photographer’s meaning.” - Stephen Shore

The Nature of Photographs is available at Amazon



American Independents - Sally Eauclaire

American Independents: Eighteen Color Photographers.
Numerous contributing photographers, edited and with text by Sally Eauclaire.
Abbeville Press, New York, 1987.
248 pages, full color, hardback, 10×9″.
Out of Print



New Color / New Work - Sally Eauclaire

New Color/New Work: Eighteen Photographic Essays.
Numerous contributing photographers, edited and with text by Sally Eauclaire.
Abbeville Press, New York, 1984.
276 pages, full color, hardback, 10×9″.
Out of Print



The New Color Photography - Sally Eauclaire

The New Color Photography
Numerous contributing photographers, edited and with text by Sally Eauclaire.
Abbeville Press, New York, 1981.
287 pages, full color, hardback, 10×9″.
Out of Print



Tall escort

Joel Meyerwitz - St. Louis and the Arch

meyerowitz_stlouis.jpgSt. Louis and the Arch Photographs by Joel Meyerowitz.
New York Graphic Society, Boston, 1980.
112 pages, full color, hardback, 10½x9½”.
Out of Print


















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